- Architecture rests on
intellectual as well as material foundations. _cr
s u r f a c e _7..A R C H I T E C T | (D) A N T E | T E L E S C O P E _H O U S
E
- Io non so ben ridir com'i'
v'entrai _Dante, The Divine Comedy..I do not know how I entered...I do not know well how to recount how I
entered there...


- "First Light" garden door
etched glass panel
| interior mural "observatoryCHESS" | nightLINES | 1:4:9 DanteMONOLITH and North-Star Telescope: MERIDIAN TRANSIT
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- Towards a
Move|Meaning Architecture: architecture as astronomical and
metaphysical observatory; as book or text and the drawing of the world; as a
device of orientation, intellectual and physical, signified by reference to
(D)ante and orientational groundlines and meridian "telescope," which aligns
with the North Star; here, fundamental propositions of architecture -- wall
and ground -- function as surfaces of memory; wall as canvas and collage,
painting and page, astronomical codex and mnemonic device -- the Significant
Surface, simultaneously visual and intellectual, inviting remembrance of
ineffable connections. [For elucidation of these ideas, see my article,
written four years before this project, Drawing as Contemplation.]
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Io non
so ben ridir com'i' v'intrai..............................
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1 : 4 :
9...........
The Danteum,
Terragni, 1938
39.00.29.8
latitude 77.01.39.22 longitude.............................................................................................
......11435 | architect Alberti writes
the first treatise of the Renaissance: On
Painting..........................
....................
........
The Siderial
Messenger .Galileo
1610........................
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- surface_7
ARCHITECT project assistants
| fabrications: paul destio/blanton dunn/frank&ray/chris fultz
| construction drawings: chris williams/paul destio | presentation drawings: justin
heiser/christian bloomquist/francisco tai/sal costanza | models: john grube | contractor: tom gilday| collaborator/owner: david zlowe
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- Precisely because it is the
familiar way, it is not the artistic way. _Victor Shklovsky Art as
Device 1917
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